Save Your Face

Just 20 concerts from the end of their career, the Grateful Dead turned in a fantastic performance, featuring a setlist full of 1970s jam numbers, sung and played with enthusiasm. Garcia is lit, throughout, playing enthusiastically and thoughftully, all the time, and taking advantage of his voice being in great shape. The “Fire on the Mountain” is particularly great on all fronts, including Garcia's vocal enthusiasms. Definitely a version to bookmark.

With the exception of “Eternity > Don’t Ease,” which closed the first set, the tracks on this mix are in the order played. “Help on the Way” opened the show. If you enjoy these highlights, you should check out the whole show. It’s more consistent than plenty of shows from plenty of other years – all the more surprising at such a late date.

Many thanks to Andrew Rooney @ramblinroon for turning me on to this show.

90-minute mp3 mix zipped up here

Disc One (48 minutes):

• Help on the Way > Slipknot! >
• Franklin’s Tower
• Scarlet Begonias >
• Fire on the Mountain

Disc Two (40 minutes):

• Playin’ in the Band >
• Uncle John’s Band
• Improvisation 1
• Improvisation 2
• Improvisation 3
• Eternity Jam >
• Don’t Ease Me In

Cover art: Jack Kirby & Mike Royer

This edit superimposes two Grateful Dead-related studio experiments, so they are playing simultaneously. Robert Hunter and John Barlow on vocals. Not for the faint-hearted. Posted by request. 

1m20s mp3 here

“Shit Happens” - John Barlow vocal (1988):

It doesn't matter, doesn't matter, it's all right

Universe still works tonight

Shit happens, shit happens, it's OK

What comes to pass will pass away

Whatever hits the fan might splatter

It's all right 'cause it doesn't matter

Doesn't matter, doesn't matter

It's all right, it doesn't matter

“The Barbed Wire Whipping Party” - Robert Hunter vocal (1969):

The barbed wire whipping party in the razor blade forest

Sweet live meat, my fangs could unravel you

Back, hand, whip, lash, [eskers], sangfroid, leather picnic

Duty, cold blood, barbed wire, naked on the table, laughing

Feet stained wine and eyes smoking

No is permitted

There's more freedom than you could choke down in ten thousand years

The other day I went to Mars and talked to God

And he told me to tell you to hang tight and don't worry

The solution to everything is death

Cover art by Raymond Pettibon

Possibly the best way to enjoy the compositions that Brent Mydland wrote and sang for The Grateful Dead is all by themselves. Pretend the band joined a solo artist to provide backing for a mid-80s album of his songs. An extended, soulful ride on an emotional rollercoaster. 

I didn’t struggle too hard picking versions, since there are lots of good ones for most songs. Some are released. 

68-minute mp3 mix zipped up here

• Just a Little Light (3/26/90)
• Far from Me (7/12/89)
• Easy to Love You (3/22/90)
• Never Trust a Woman (10/16/89)
• Tons of Steel (4/8/85)
• Revolutionary Hamstrung Blues (3/27/86)
• Don’t Need Love (11/5/85)
• Gentlemen, Start Your Engines (7/31/88)
• Maybe You Know (4/20/83)
• Blow Away (3/26/90)
• We Can Run (9/29/89)
• I Will Take You Home (6/88)

I think this includes every song Mydland wrote or co-wrote - and sang.

Caveat: "Far from Me" and "Easy to Love You" somehow got switched in the running order. The emotional energy works much better Easy > Far. I recommend you swap 'em.

This edit merges the first composition on Brian Eno’s “Music for Airports” with coded shortwave radio broadcasts from the 20th Century. It’s an ambient vocal track that speaks in tongues. Zero, zero, zero, echo, victor, sierra, eight, four, six, yankee, hotel, foxtrot...

The method was mostly an oblique strategy, followed by some editorial tweaks. The two sources automatically created a collective drama that I didn’t mess with very much. The edit preserves the stereo separation of Eno’s album, with the mono shortwave broadcasts layered in.

Stream:

Download:

16-minute, 320kbps mp3 track here

This is the rarest Gang of Four studio recording, released only once, on a flexi-disc inside of the magazine “Vinyl Music” (Netherlands, July 1982). 

I obtained a copy at the time, played it just twice to record it to cassette, then played it again circa 2000 to rip a digital file.

This post is based on that uncompressed rip, re-EQ’ed to address the limitations of flexi-disc sonics. This is as hard as I can make it kick.

The issues were primarily a thin, stabby drum machine (and cheap plastic) at the high end, and distorted, non-musical thumping on the low end. I also adjusted the volume in a several places, because the original mix includes sudden shifts that disrupt the flow. My main focus was on clarifying the bass articulation and Andy Gill's fantastic dueling guitars.

I can’t find any information about when the track was recorded or what it is. Song-wise, it sounds like the Dave Allen period, but it's not Allen playing bass, and it was not included on the recent boxed set covering his period. I'm guessing the recording is a 1981 Gill/King demo of an abandoned song, which would make it a logical candidate for a throwaway flexi-disc in 1982. Maybe discarded in favor of "Capital (it fails us now)." 

Cover art is adapted from the flexi-disc’s label and a cover detail from “Entertainment.”

320kbps mp3 file here

Foetus (JG Thirlwell) released three amazing, extended disco-industrial 12-inches in 1984, the same year as the album “Hole,” and a year ahead of “Nail.”

As far as I can tell, these full-length tracks are currently unavailable to buy or stream, and they may never have been released digitally, except in shortened edits.

The compilation presented here uses my uncompressed vinyl rips, circa 2003, mildly EQ’ed to bring up the bottom end and blunt some high end needles, converted to 320kbps mp3s.

Thirlwell is still making great music! Official site and store.

45-minute mp3 mix zipped up here

• Calamity Crush (6:06)
• Finely-Honed Machine (9:35)
• Wash It All Off (6:12)
• Today I Started Slogging Again (7:45)
• Catastrophe Crush (7:09)
• Sick Minutes (Unmutual) (8:51)

Original 12-inch art, x3: JG Thirlwell. 

This mix provides a prequel to Blue Oyster Cult’s 1975 live album, “On Your Feet, or On Your Knees,” which capped the band’s classic, initial studio run: “Blue Oyster Cult,” “Tyranny and Mutation,” and “Secret Treaties” (1972-1974). 

In 1976, everything changed, with the release of the completely different “Agents of Fortune,” containing the hit, “Don’t Fear the Reaper.”

Pulling from four bootlegs recorded April 1972 through December 1973, this mix compiles as many different songs as possible, mostly in the earliest live recording available. (The NYC Academy of Music show predates the recording of “Secret Treaties.”) 

I’ve only repeated two songs, one because it changed a lot, and the other because it was the big jam number. The fidelity of the sources varies, but all should be pleasurably inhabitable by fans. Volume has been equalized.

130-minute mp3 mixtape zipped up here

Rochester, NY: 4/3/72

• The Red and the Black
• Cities on Flame with Rock and Roll
• Workshop of Telescopes
• Stairway to the Stars
• Transmaniacon MC
• The Last Days of May
• Before the Kiss, a Redcap

Detroit, MI: 4/2/73

• OD’d on Life Itself
• Wings Wetted Down
• 7 Screaming Dizbusters
• Buck’s Boogie
• It’s Not Easy

Cleveland: 10/8/73

• Screams
• Quicklime Girl
• Workshop of Telescopes
• It’s Not Easy

New York City: 12/31/73

• Dominance and Submission
• Astronomy, a Star
• ME262

If you’d like to hear an 18-minute jam by BOC’s earlier incarnation, Stalk-Forrest Group, you’ll find that here.

This track edits the jammy passages of six Stalk-Forrest Group studio recordings (1970) into an 18-minute instrumental suite. 

It’s a prequel to Blue Oyster Cult’s “black and white years” and right in line with 2020 jam band tendencies. 

18-minute mp3 file here

In March 1994, The Grateful Dead were playing and singing “small” songs beautifully and jamming big songs enthusiastically. The month included the final two performances of “Dark Star.”

For reasons explained in this post, the Save Your Face blog originally presented the music below as three separate mixes, over a year’s time. After I posted the final one, I retagged my own files to create the unified, 4-LP album set that should have been. 

This post presents the retagged version, which operates as a single album with one title, four discs, and 26 consecutively numbered tracks.

Seventeen tracks come from three Chicago shows (March 16, 17, 18) and seven come from one Richfield, OH show (March 21). The Richfield show on the 20th doesn’t circulate on soundboard, so it is not included. 

Additionally, I have included, near the end, the “Playin’ > Dark Star” sequence from 3/30 in Atlanta, so that you can listen to the last two performances of “Dark Star” as portions of the same mega-jam.

Put into their proper relationship, the first two discs provide a beautifully-executed, fantasy first set. The second two discs provide a giant, all-jam second set.

3h 20m mp3 mix zipped up here

LP 1 (47 minutes - originally posted as “Shortlist: March 16-21, 1994” disc one)

• Don’t Ease Me In (3/16/94)
• Beat It on Down the Line (3/16/94)
• Bertha (3/21/94)
• Ramble on Rose (3/19/94)
• Stella Blue (3/21/94)
• Queen Jane Approximately (3/21/94)
• Looks Like Rain (3/16/94)
• High Time (3/16/94)

LP 2 (53 minutes - originally posted as “Shortlist: March 16-21, 1994” disc two)

• Peggy-O (3/21/94)
• Wharf Rat (3/18/94)
• Around and Around (3/18/94)
• Deal (3/18/94)
• Standing on the Moon (3/16/94)
• The Wheel > (3/17/94)
• All Along the Watchtower (3/17/94)

LP 3 (50 minutes - originally posted as “Dark Star Flashes” bonus disc):

• Feel Like a Stranger (3/18/94)
• Scarlet Begonias Jam > Fire on the Mountain (3/16/94)
• Eternity Jam (3/17/94)
• Playin’ in the Band > UJB Jam Conclusion (edit, 3/17/94)
• Eternity Jam (3/21/94)

LP 4 (52 minutes - originally posted as “Dark Star Flashes”:

• Dark Star (3/16/94, verse removed)
• Victim or the Crime Jam (3/21/94)
• The Other One (3/18/94)
• Playin’ Jam > (3/30/94)
• Dark Star (3/30/94)
• Jamming Down the Road (3/21/94)

From August 1980 through February 1981, Talking Heads toured North America, Europe, and Japan as a gigantic band, making groundbreaking music. 

An entire show, including the tour’s whole setlist, is beautifully documented on the expanded version of “The Name of This Band is Talking Heads.” There are also several exciting live videos from the tour that you can easily find online.

From an audio quality POV, the Amsterdam soundboard stands out, both for clarity and for being quite a different mix than the one featured on “The Name of This Band is Talking Heads.”

The Amsterdam mix is also notable because it is not dominated by huge bass and drums and massed vocals. Instead, the higher end of the percussion is emphasized, the guitars are quite prominent, and the individual vocalists are more discernible. 

That balance makes some songs fall flat, but it takes others into a fantastic, wiry, “Fear of Music” place. Those performances are featured on this mix, re-EQed somewhat to bring up the bottom end.

28-minute mp3 mix zipped up here

• Born Under Punches
• Crosseyed & Hungry (edit)
• Drugs
• Warning Sign
• Cities

You’ll find a couple of other weirdo Save Your Face Talking Heads experiments here.