This mix combines some of my personal favorites from the sporadic, unreleased late-1968 tapes into a single, two-hour set. If you don't spend much time with 1968, other than the official releases, this is your short-cut expansion pack.
Every song documented on the tapes is represented, except for “Lovelight” (ubiquitous, boring) “Midnight Hour” (once, messy) - and "Caution" - which got squeezed out based on my picks for similar/adjacent jam zones.
I have plucked several exemplary passages of the openest jamming the band was doing at the time, so you can spend more time in the zones that gave birth to the "thematic jams" of the future, which would feature such favorite non-songs as "Tighten Up," "Feelin' Groovy," "Mind Left Body," "Phil Jazz Jam," and new locations for "Spanish Jam."
In 1968, that part of the show happened around combinations of jam-after-"Alligator," into/around/might-turn-into "Caution," and "Feedback." "And We Bid You Goodnight" was a common theme at the time. I am still confused about "Mountain Jam" and "Darkness Jam." Are those inside these 1968 jams somewhere? Maybe?
8/21/68 at the Fillmore West has (arguably) the most amazing, continuous open playing of the year – an incredibly fluid 14 minutes that sounds more advanced and effortless than any other, analogous passage. I listened to all of 1968's such passages in a row, repeatedly, with the intention of making a mega-mix out of them. In the end, it was obvious that I should just pick this one and build a fun, imaginary set around it. (@MrCompletely got here way before me. Thank you for the insight.)
The whole 8/21 tape is a great listen for playing, mix/source quality, and consistency. Release-worthy. My only issue with it is that its mix is so perfectly the late-1960s sound and patient-pacing we're already used to (via official releases), that it doesn't shake up your expectations in a visceral way.
The other great, unreleased show/circulating tape of the year packs that visceral punch – 10/12/68 at the Avalon Ballroom. Fast, fierce, and wiry. For this mixtape, I used 10/12 as the foundation, and built around it to simulate a 1968 experience that I think contrasts with the great (though few) official 1968 releases.
Disc One (56 minutes):
- Dark Star (9/2/68 Sultan, WA)
- St. Stephen > (10/12/68 Avalon Ballroom)
- The Eleven > (10/12/68 Avalon Ballroom)
- Death Don’t Have No Mercy (10/12/68 Avalon Ballroom)
- It Hurts Me Too (12/21/68 Shrine Auditorium)
- Alligator Reprise > Garcia & Drummers > Jam > AWBYG Jam > Feedback (8/21/68 Fillmore West)
Disc Two (59 minutes):
- New Potato Caboose Jam (12/7/68 Louisville, KY)
- Morning Dew (10/12/68 Avalon Ballroom)
- Jam > (10/12/68 Avalon Ballroom)
- Feedback (10/12/68 Avalon Ballroom)
- The Other One > (12/29/68 Hallandale, FL)
- Cryptical Envelopment > (12/29/68 Hallandale, FL)
- And We Bid You Goodnight (12/29/68 Hallandale, FL)
- Rosemary (12/7/68 Louisville, KY)
- Clementine Edit (9/12/68 rehearsal/audition with new players)
Dark Star: I chose the 9/2 performance at Betty Nelson’s Organic Raspberry Farm in Sultan, Oregon. I value this version in part because it buries TC’s repetitive keyboard part and elevates Weir’s guitar. That leads to a less-flattened, more springy and sculpted “Dark Star” experience than I find typical of 1968 tapes. Nearly all the 1968 "Dark Stars" are worth your time for Garcia's leadership, and this is also one of my favorites in that respect. Possibly my earliest desert island "Dark Star."