Shortlist: New Year’s Eve 1972 – San Francisco, CA

71 minute, 192kbps mp3 download

  • Johnny B. Goode
  • Truckin >
  • The Other One >
  • Drums >
  • Bass & Drums >
  • Jam >
  • Space >
  • Jam >
  • The Other One >
  • Jam >
  • Morning Dew

This is a rather fine specimen of this sort of second set sequence, notable for the three jams that aren't really related to anything else. The playing throughout the sequence tends to be fierce and engaging. The third jam is quite gentle and pretty. 

I found good places for all the track breaks, so anywhere you start is the start of something. The end of the third jam is a distinctive little piece of weird beauty, as David Crosby and the Dead are aligning themselves, and it drifts so seamlessly into “Morning Dew,” that I decided it belonged with "Morning Dew," rather than with the jam.

Shortlist: September 28, 1972 - Jersey City, NJ

Part 1: (48 minutes)

  • Big River
  • Greatest Story Ever Told
  • China Cat Sunflower
  • Black Throated Wind
  • Playin’ in the Band
  • Don’t Ease Me In

Part 2: (59 minutes)

  • He’s Gone >
  • Bass and Drums >
  • The Other One >
  • Space >
  • Me & Bobby McGee >
  • The Other One >
  • Wharf Rat

192kbps files derived from a couple of sources.

It always pains me a bit when they release another September 1972 show, and it’s not this one. (There are four of them so far.) The circulating SBDs of 9/28 are incomplete,* but there’s great stuff in there, and I rank the main, 20-minute “The Other One” passage as one of the best improvisational explorations of the era. The song’s undertow never quite goes away, but a tender counter-melody dominates, recurring and beautifully developed.

The “China Cat” is by itself, because “I Know You Rider” spliced into a bad audience recording – but it’s a really good “China Cat” with an extended intro. And it’s always nice to come across early 1970s versions of Bobby’s improbably-built, angular tunes (“Greatest Story” and “Black Throated Wind”), on which the band totally finds the double-jointed groove, and Weir’s vocals aren’t too yelpy. The “Greatest Story” here features a good version of the “St. Stephen”-style riff at the climax.

*P.S. - Since I made this mix, I seem to have picked up a nearly complete soundboard, with the complete "I Know You Rider," and a "Half-Step that maybe should be on this mix. Oh, well... 

Shortlist philosophy: Start with a good soundboard of an unreleased show, and keep only what you honestly want to hear again and again. Be song-agnostic; look for outstanding performances of anything and everything, and reject an average performance of any song, no matter how grand that song’s generic status as a big deal may be. Whatever’s left, edit out the tuning and other delays, and arrange everything into a pleasing sequence. Share the results in lossy mp3 format, in the spirit of the cassette tape trading of my youth, diligently not trying to compete with or annoy Grateful Dead Enterprises, whose property this music is. 

Dark Starlets: A Europe ’72 Single-Song Mega-Mix

This mix is comprised of 21 musical segments drawn from all the “Dark Stars” performed during the Europe ’72 tour. They are arranged into two 64-minute sequences, each of which begins with the song’s intro, and each of which contains a verse. It’s all “forward moving” improvisation, whether on the “Dark Star” theme or farther afield. There’s no “space,” though the segments wind up and wind down from spacey zones, such that The Dead’s development of each musical angle here is respected, and the result feels more or less like a single performance, with ebbs and flows. If you’ve ever imagined a one-hour or two-hour “Dark Star” that never completely spaces out and keeps finding new melodic avenues, this is for you.

192kbps mp3s sourced from the official Europe '72 box (and reloaded to fix a defect)