Shortlist: Grateful Dead w/David Murray (2/26/95)

This mix curates 47 minutes of the Grateful Dead’s final performance with saxophonist David Murray as a guest.

This show was not represented on Save Your Face’s “Dead is Jazz” compilation, which included some fantastic, earlier Murray performances. That’s primarily because there is no ideal tape for this show. Murray is very quiet on the audience and soundboard tapes, and he is very loud on the circulating monitor mix. None of those options would have slotted into the “Dead is Jazz” mix smoothly.

However, the monitor mix is fab, in its own way, with Murray’s sax punching you in the face like Ornette Coleman. 

I’ve narrowed the focus to the vocal return/jam section of “Estimated,” an instrumental edit of “Eyes,” “Space,” and a “Days Between” that mostly succeeds (few/brief Garcia lyric lapses), with Murray figuring it out and delivering a great close. 

As there is a non-band-member memoir that claims that no one was listening to Vince in their monitors, I need to point out that about two minutes into this “Eyes” edit you’ll hear Garcia asking for Vince to be turned up. “I can’t hear Vince at all.” 

47-minute mp3 mix zipped up here

  • Estimated Prophet > (edit)
  • Eyes of the World (instrumental edit)
  • Space
  • Days Between

Cover art: Robert Rauschenberg 

15 responses
I’m so glad you pointed out the Garcia request to turn up Vince. Feels significant. That non-band memoir comment always smelled funny, and seemed opposite of the ethos. Thank you for continuing to bring us great stuff!
Todd, yeah, sure, Vince was mushy sometimes with bad keyboard sounds, but he also had jazz instincts that Brent Mydland utterly lacked.
Agree. Even more heartening - the debunking of the myth - that they weren’t listening in the end. Todd Carey Www.Twitter.Com/ToddCarey Www.Instagram.Com/ToddCarey Www.toddcareymusic.com > On May 19, 2022, at 6:31 PM, Posthaven Comments wrote: > > 
Finally got a chance to sit with this show and it is remarkable. Murray's playing really gives the Dead that extra edge that was often lacking with the other guest saxophonists. And you're so right that this works with Vince in ways that didn't with Brent (such as 3-29-90 with Marsalis). Many thanks for your work curating these shows!
If the two sources are essentially the opposite in terms of the sax level, it seems like a matrix would be ideal?
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