Update: This post was/is of a Frankenstein show I constructed out of the best unreleased material I saw live and that I have in good recordings. It's from Ann Arbor, April '89, with "Dark Star" from Greensboro, April '91 added in. Since posting it, I regretted the inclusion of a lame "Wharf Rat" and the louder, duller sound of the Greensboro recordings. So, I EQ-ed the "Dark Star" to sound more like the Ann Arbor material – and that sonic matching, plus the deletion of "Wharf Rat," led to a more exciting running order for the second half.
So, edition #2 is a better experience than my original post - and it's as close as I can come to pretending that I saw a 1974 second set.
mp3 download here
- Feel Like a Stranger 8:15
- Brown Eyed Women 4:55
- Bird Song 13:14
- Let It Grow 11:41
- China Doll 6:50
- Scarlet Begonias > 9:31
- Fire on the Mountain 12:08
- Dark Star 12:34
- The Other One 7:47
- Playin’ in the Band 12:45
- Dark Star > Playin’ Jam 7:25
- Playin’ in the Band Reprise 3:53
- Not Fade Away 11:25
Lest anyone assume that this blog implies that I only appreciate a few years of the Dead’s history, here’s an outlier post. I saw live Dead from 1988 to 1993. In there was the final renaissance, from 1989 through Brent Mydland’s death in 1990, with some post-Brent afterglow, before Bruce Hornsby dropped off.
I see a tendency to define the October 1989 “Warlocks” shows, when certain classic songs returned, as the starting point of the band’s final resurgence, but my own experience back-dates that spryness to the spring of 1989.
Of the unreleased shows I saw in that period, Ann Arbor April 1989 seems to be the best - two shows that between them hit a lot of the songs you particularly want to hear, with excellent, extended jamming. These shows were my first exposure to genuinely great in-person Dead music, my previous shows having been creaky-to-okay post-coma affairs.
The last great live Dead performance I saw was at the other end of their final peak: "Dark Star" on April Fool’s Day in 1991, in Greensboro, NC. The rest of that show was nothing special, but the only "Dark Star" I saw turned out to be one worth pulling aside. Brent's gone, and there wasn't any full recovery from that, but perhaps because "Dark Star" is "Dark Star," and the band was game, and they hadn't played it in 15 shows, this one hits some very fine places, and the slow build to the reprise is quite delightful. Close to 20 minutes, all told.
Here I’ve joined together all that material in a pseudo-album format. (Dates/cities included in tags for all song titles.) If these late years are unknown to you, this is a fine introduction to a period that in my mind is not impossibly distant from '77. Once again, we have a tight, enthusiastic, funky, reliable band that likes to lock into a bouncy place and hang out there for a while. If the '89-'91 bounce works for you, you're going to be happy straight through Stranger, Birdsong, Let It Grow, Scarlet-Fire, Dark Star, Playin', and Not Fade Away.
I'm also of the opinion that Weir's guitar playing - always the decisive spice in the GD mix for me - got increasingly interesting after the '70s, so one benefit of the Dead's final flowering is a band that was as into it as Weir. The SBD mix for most of the Ann Arbor material is excellent, and Weir's playing really shines.