1 (42 minutes):
- Tennessee Jed
- Brown-Eyed Women
- Eyes of the World >
- Wharf Rat
LP 2 (46 minutes):
- They Love Each Other
- Row Jimmy
- Dark Star
- Uncle John’s Band
This is every Garcia-written song (plus "Peggy-O") from this show, and it’s quite a fine selection of tunes, played consistently well. There’s a small snag here and there, but I haven’t encountered another show that you can slice this way with such a good result.
I also can’t think of many shows where both the band and the sound mix were ready for business on the first song. The Dead played “Tennessee Jed” a million times from 1972 through 1974, but they only opened two shows with it, and this is one of them. The result is a version that stays restrained and deliberate throughout, never becoming as fully deranged as it typically did in the final instrumental break.
The last song of the show was “Uncle John’s Band,” and this is a version I find pretty satisfactory. I rarely like 1973-1974 UJBs much, because the melody gets tortured by the singing, but this performance and mix get it closer to the right place than many. It certainly ends the show nicely.
This is the first version of “Brown Eyed Women” I pulled aside for one of my mixes. I’m not sure why I perceive The Dead as hardly ever nailing this song between Europe ’72 and sometime in 1976 or 1977, but whatever I typically find lacking, this one doesn’t lack it. The opening bars are wobbly, but so it goes.
The “Eyes of the World” is nearly perfect throughout, and the jam continues to cook after they’ve finished the climactic synchronized riff sequence. The “Wharf Rat” that follows is not one that pounces on the big moments the way some do, but I can’t fault its overall approach to the drama, and the extended coda/fadeout is a nice touch.
The “Row Jimmy” is one of my favorites. “Peggy-O” is beautiful (if not transcendent), one of only three played in 1973, all in December; the next one would be in May 1974. “They Love Each Other” has the bouncy syncopation you’re looking for, with nice rushes of intensity. “Bertha” is rather explosive (originally sandwiched between “Promised Land” and “Greatest Story, giving it extra propulsion). And Jerry's so into "Deal" that he throws a bunch of extra little vocal punches.
I’ve always liked this simultaneously compact and restless “Dark Star,” pursuing the melody prettily and nonchalantly for about five minutes, then considering other options for a few minutes, including a little hint of the “Mind Left Body Jam” and a brief dance with “The Other One,” before settling in for a perfectly executed verse of “Dark Star.”
If you like the feel of an all-Garcia show, you will also like this.