Shortlist: November 19, 1972 - Houston, TX

Part 1 (45 minutes):

  • Happiness is Tuning
  • Box of Rain
  • Black Throated Wind
  • Bird Song
  • Sugar Magnolia
  • Tomorrow is Forever
  • Stella Blue
  • Weather Report Prelude Jam

Part 2 (49 minutes):

  • Dark Star >
  • Attack of the 50-foot Phil Lesh >
  • Jam
  • Playin’ in the Band
  • Around & Around

192kbps mp3 download

I used to associate this show with 8/27/72, Veneta, OR. That show is now miraculously a film that confirms everything the music implied. Those sunlit dust motes and naked dancers were always there. If I could use The Grateful Dead time machine just once, I’d go to Oregon.

It is, of course, insane to associate that August day in a meadow with this November night in Houston, TX, inside a venue resembling a concrete bunker. But there are big, beautiful, meandering late 1972 versions of “Bird Song,” “Dark Star,” and “Playin’ in the Band” here, as well as a spirit of conviviality coming from the band that might partly excuse that association.

This was a long show (3h20m), kind of straggly, full of tuning breaks. I think it comes into focus – gets a little more “Veneta” – cut down to about 90 minutes. So, this is my best approximation of my sunshine daydream, leading off with "best of tuning." Don’t neglect “Stella Blue,” and Jerry's vocals that almost sound like they're from "Wake of the Flood." (Had to make a slight edit, due to some missing bars at the beginning, but no big deal. There was also a missing chunk in the middle of the “Playin’” verses, so I took the liberty of cutting to the chase – the main ten onward.) It's worth noting that Phil's bass is way up in the excellent mix and that the vocals are mixed fortuitously, so group harmonies sound good. That mix contributes to a really fine "Box of Rain."

If I could borrow The Grateful Dead time machine for a while, I’d steer it to a nearby 1972 parallel universe where this show was played in a meadow.

Shortlist philosophy: Start with a good soundboard of an unreleased show, and keep only what you honestly want to hear again and again. Be song-agnostic; look for outstanding performances of anything and everything, and reject an average performance of any song, no matter how grand that song’s generic status as a big deal may be. Whatever’s left, edit out the tuning and other delays, and arrange everything into a pleasing sequence. Share the results in lossy mp3 format, in the spirit of the cassette tape trading of my youth, diligently not trying to compete with or annoy Grateful Dead Enterprises, whose property this music is. 

Some of my tape cases.

I've tossed most of the actual tapes, but the cases remain. I cringe to think how much time I spent on these, let alone all of the re-EQ-ing of tapes and copying them. Now you can hear a perfect version of nearly every show on archive.org. Still feels a bit like science fiction to me.



Shortlist: May 17, 1974 – Vancouver, BC

78 minute 192 kbps mp3 download

  • Deal
  • Greatest Story Ever Told
  • The Race is On
  • China Cat Sunflower > I Know You Rider
  • Me & My Uncle
  • Ramble on Rose
  • Nobody’s Fault but Mine >
  • Eyes of the World
  • Playin’ in the Band

I think I’ve made shortlists of all the unreleased May 1974 shows except Reno, NV, which I’m inclined to judge simply a bad show.

Vancouver definitely has a lot of greatness in it. The “Eyes” is nearly perfect, both the song and the jam – and the fully sung and jammed “Nobody’s Fault” that precedes it is a superb specimen of that relative rarity.

Even though Jerry’s lyrics in “Ramble on Rose” slip a couple of times, and there are slightly ramshackle moments, I’m still going to call this a top 10 version. (Who even has a top ten list of “Ramble on Rose?”) From the screamer in the audience who helps launch it, straight to the end, it just cooks. Keith’s playing is fantastic. He’s great throughout, actually.

Since my shortlist-making days began, “Deal” has become a song that I pay far more attention to than I used to (also “Bertha”). The version in this show has a lazy lope of a groove, with a fine Garcia vocal. This "China Cat" also has a nice tempo, which leads to a nuanced, mellow execution.

Shortlist philosophy: Start with a good soundboard of an unreleased show, and keep only what you honestly want to hear again and again. Be song-agnostic; look for outstanding performances of anything and everything, and reject an average performance of any song, no matter how grand that song’s generic status as a big deal may be. Whatever’s left, edit out the tuning and other delays, and arrange everything into a pleasing sequence. Share the results in lossy mp3 format, in the spirit of the cassette tape trading of my youth, diligently not trying to compete with or annoy Grateful Dead Enterprises, whose property this music is. 

Shortlist: New Year’s Eve 1972 – San Francisco, CA

71 minute, 192kbps mp3 download

  • Johnny B. Goode
  • Truckin >
  • The Other One >
  • Drums >
  • Bass & Drums >
  • Jam >
  • Space >
  • Jam >
  • The Other One >
  • Jam >
  • Morning Dew

This is a rather fine specimen of this sort of second set sequence, notable for the three jams that aren't really related to anything else. The playing throughout the sequence tends to be fierce and engaging. The third jam is quite gentle and pretty. 

I found good places for all the track breaks, so anywhere you start is the start of something. The end of the third jam is a distinctive little piece of weird beauty, as David Crosby and the Dead are aligning themselves, and it drifts so seamlessly into “Morning Dew,” that I decided it belonged with "Morning Dew," rather than with the jam.

Shortlist: March 24, 1973 – Philadelphia, PA

Disc 1 (60 minutes):

  • Here Comes Sunshine (instrumental edit)
  • Me & Bobby McGee
  • They Love Each Other
  • Stella Blue
  • Looks Like Rain
  • Tennessee Jed
  • Me & My Uncle
  • Playing in the Band

Disc 2 (64 minutes):

  • He’s Gone >
  • Truckin’ >
  • Jam 1 >
  • Bass & Drums >
  • Jam 2 >
  • Spanish Jam >
  • Spacey Connective Tissue >
  • Jam 3 (Twilight Zoney) >
  • Dark Star >
  • Sing Me Back Home
  • Box of Rain

192kbps mp3 download

(Bad link repaired.)

This is a very good show, and while I wouldn’t put the jam sequence coming out of “Truckin’” in the top tier of such passages, it is excellent and focused. I took the trouble to edit it into its constituent pieces, because the band deliberately starts and pursues each one; there’s very little noodling around looking for the next collective move. If you listen to the trailing off of the “Truckin’” jam, you’ll hear Jerry ask the band about “Dark Star,” by playing the opening notes quietly. No one goes for it; instead they decide to make some music from scratch. Nonetheless, they’re ready to make good on Jerry’s hint 20 minutes later, when all of a sudden we drop cleanly into “Dark Star” and a verse.

All the stand-alone songs are stand-up versions, and I even pulled aside a “Box of Rain,” which is about as good as it got live in this period. The only radical edit I made was on “Here Comes Sunshine,” removing the extremely awful singing, and turning it into a seamless “instrumental version.” The final singing of the title line at the end is still there (no other way to resolve the song), so you can decide for yourself how much more of that you could have handled. 

Shortlist philosophy: Start with a good soundboard of an unreleased show, and keep only what you honestly want to hear again and again. Be song-agnostic; look for outstanding performances of anything and everything, and reject an average performance of any song, no matter how grand that song’s generic status as a big deal may be. Whatever’s left, edit out the tuning and other delays, and arrange everything into a pleasing sequence. Share the results in lossy mp3 format, in the spirit of the cassette tape trading of my youth, diligently not trying to compete with or annoy Grateful Dead Enterprises, whose property this music is.

Shortlist: June 23, 1974 - Miami, FL

192kbps mp3 download

52 minutes:

  • Ramble on Rose
  • Black Peter
  • Let It Grow >
  • China Doll
  • To Lay Me Down
  • Jam >
  • Ship of Fools
  • Let It Rock

The excellent “Dark Star” > “Spanish Jam” > “U.S. Blues” sequence from this show’s second set was released on the “So Many Roads” box. I used to think of this show as a whole as too sleepy, but when I panned for gold, it turned out that the sleepy, mellow vibe was actually what this show was all about – kind of like that drifty second set “Dark Star.” The result makes for a distinctive, album-length arc of primarily subtle tunes and subtle playing. Keith's spooky organ on "Black Peter" makes me especially happy, and this must be one of the better "To Lay Me Down" performances.

Shortlist philosophy: Start with a good soundboard of an unreleased show, and keep only what you honestly want to hear again and again. Be song-agnostic; look for outstanding performances of anything and everything, and reject an average performance of any song, no matter how grand that song’s generic status as a big deal may be. Whatever’s left, edit out the tuning and other delays, and arrange everything into a pleasing sequence. Share the results in lossy mp3 format, in the spirit of the cassette tape trading of my youth, diligently not trying to compete with or annoy Grateful Dead Enterprises, whose property this music is. 

Shortlist: September 28, 1972 - Jersey City, NJ

Part 1: (48 minutes)

  • Big River
  • Greatest Story Ever Told
  • China Cat Sunflower
  • Black Throated Wind
  • Playin’ in the Band
  • Don’t Ease Me In

Part 2: (59 minutes)

  • He’s Gone >
  • Bass and Drums >
  • The Other One >
  • Space >
  • Me & Bobby McGee >
  • The Other One >
  • Wharf Rat

192kbps files derived from a couple of sources.

It always pains me a bit when they release another September 1972 show, and it’s not this one. (There are four of them so far.) The circulating SBDs of 9/28 are incomplete,* but there’s great stuff in there, and I rank the main, 20-minute “The Other One” passage as one of the best improvisational explorations of the era. The song’s undertow never quite goes away, but a tender counter-melody dominates, recurring and beautifully developed.

The “China Cat” is by itself, because “I Know You Rider” spliced into a bad audience recording – but it’s a really good “China Cat” with an extended intro. And it’s always nice to come across early 1970s versions of Bobby’s improbably-built, angular tunes (“Greatest Story” and “Black Throated Wind”), on which the band totally finds the double-jointed groove, and Weir’s vocals aren’t too yelpy. The “Greatest Story” here features a good version of the “St. Stephen”-style riff at the climax.

*P.S. - Since I made this mix, I seem to have picked up a nearly complete soundboard, with the complete "I Know You Rider," and a "Half-Step that maybe should be on this mix. Oh, well... 

Shortlist philosophy: Start with a good soundboard of an unreleased show, and keep only what you honestly want to hear again and again. Be song-agnostic; look for outstanding performances of anything and everything, and reject an average performance of any song, no matter how grand that song’s generic status as a big deal may be. Whatever’s left, edit out the tuning and other delays, and arrange everything into a pleasing sequence. Share the results in lossy mp3 format, in the spirit of the cassette tape trading of my youth, diligently not trying to compete with or annoy Grateful Dead Enterprises, whose property this music is. 

Shortlist: Improvisation 1973-1974 vol. 1

74 minutes (10 tracks) of vocal-free improvisation in lossy 192kbps mixtape glory.

New link: Let me know if it doesn't work.

The aspect of The Grateful Dead’s record release strategy since Garcia’s death that I’d particularly fault is the failure to secure the band’s legacy as one of the outstanding jazz-fusion explorers of the early 1970s. Ten years ago, I became fed up with poor 1972-1974 vocals, and was tired of most of The Dead’s songs, after 20 years of listening to them a lot. So, I made 10 volumes of nothing but vocal-free improvisational material from 1972 to 1974, and listened to nothing but that for a while. As this blog’s mixtapes indicate, I eventually came back around to the songs themselves, but the improv tapes remain a concentrated thrill. 

This is the first volume I made, probably the one most focused on spontaneous musical compositions that have no relation to any particular song. Some of this material was subsequently released officially, but whatever the provenance of the sources I used at the time, it’s all crispy. The 11/11/73 material may be sourced from a cassette that Dick Latvala sent me in the early 1990s, when I was sending him tapes of Pigpen outbursts, mostly directed at the sound mixer, that Dick couldn’t find in the archive. We’d argued, first, about whether “Dark Star” or “The Other One” was the ultimate Dead barometer (he insisted on “The Other One” and may have been correct), and then about the merits of the dreamy, drifty 11/11/73 “Dark Star” (the jam following it is on this mix). I loved that "Dark Star"; Dick was meh. I eventually conceded that maybe I was partly in love with the particular vibe of my mid-generation cassette, which I'd clutched tightly to my breast for years. Dick responded by sending me a dub of his reference copy of the whole show; he was a very nice guy. The "Dark Star" was still the song I knew and loved, but so much cleaner, so I guess I accidentally tricked Dick – but he was satisfied to receive in return a tape of Pigpen threatening to cut off the sound mixer’s head and shit in it. 

Shortlist: May 19, 1974 - Portland, OR

A 72-minute mix from two excellent SBD sources, all dead air trimmed off. 192kbps mp3s

  • Big Railroad Blues
  • China Cat Sunflower > I Know You Rider
  • Wharf Rat
  • Truckin’ >
  • Jam >
  • Mind Left Body Jam >
  • Not Fade Away >
  • Goin’ Down the Road
  • Ship of Fools
  • U.S. Blues
  • [bonus track]

I can’t think of any passage of 72-74 Dead that is as exuberant, buoyant, bouncy, and cheerful as the 32 minutes of “Truckin’” through “Goin’ Down the Road” in this show. The pure playing is going so well by the time they get to “Not Fade Away,” that both it and “GDTRFB” are as much continuations of free playing as they are stand-alone songs. There’s just an attitude that carries through the full half-hour sequence.

Much the same can be said of “China Cat Sunflower > I Know You Rider,” the weird super-cheerfulness of the show peaking in an anomalous event: When Jerry begins his first line in “I Know You Rider,” (around the 2:40 mark), what sounds like a clutch of swooning groupies next to the stage lets out a big cheer. Good times.

There are a lot of songs here that also appear on “Skullfuck” and “Europe ’72,” but these aren’t anything like those.

Shortlist philosophy: Start with a good soundboard of an unreleased show, and keep only what you honestly want to hear again and again. Be song-agnostic; look for outstanding performances of anything and everything, and reject an average performance of any song, no matter how grand that song’s status as a big song may be. Whatever’s left, edit out the tuning and other delays, and arrange everything into a pleasing sequence. Share the results in lossy mp3 format, in the spirit of the cassette tape trading of my youth, diligently not trying to compete with or annoy Grateful Dead Enterprises, whose property this music is.

Dark Starlets: A Europe ’72 Single-Song Mega-Mix

This mix is comprised of 21 musical segments drawn from all the “Dark Stars” performed during the Europe ’72 tour. They are arranged into two 64-minute sequences, each of which begins with the song’s intro, and each of which contains a verse. It’s all “forward moving” improvisation, whether on the “Dark Star” theme or farther afield. There’s no “space,” though the segments wind up and wind down from spacey zones, such that The Dead’s development of each musical angle here is respected, and the result feels more or less like a single performance, with ebbs and flows. If you’ve ever imagined a one-hour or two-hour “Dark Star” that never completely spaces out and keeps finding new melodic avenues, this is for you.

192kbps mp3s sourced from the official Europe '72 box (and reloaded to fix a defect)